Keep track of everything you watch; tell your friends. 305. An intimate, picaresque inquiry into French life as lived by the country's poor and its provident, as well as by the film's own director, Agnes Varda. 17 Nov 2010. Anonymous. Taking a seat on a theatre stage, she uses photos and film excerpts to provide an insight into her unorthodox oeuvre. Director . Edward Guthmann of the San Francisco Chronicle argued, "Varda's subject matter is surprisingly rich, but it's her own energetic, curious nature that gives the film its snap. The painting is famous for featuring in a sympathetic way what were then the lowest ranks of rural society; it was received poorly by the French upper classes. "Official Selection 2000." Agnès Varda entered the extraordinarily rich final phase of her legendary career with this casually brilliant documentary-cum-self portrait. The same year it had its North American premiere at the Toronto International Film Festival. "The Gleaners and I" places them in an ancient tradition. Release dates 03/08/2018 . Agnes Varda, Grande Dame of the French New Wave, describes her award-winning 2001 film as a "wandering-road documentary." Agnes Varda returns to the people she met in her 2000 documentary on gleaning and meets some new people who were inspired by her first film. Web. As the camera hangs to her side the filming proceeds, and the viewer can see the shifting ground and the dangling lens cap with a jazz music background. The aesthetic, political and moral point of departure for Varda are gleaners, those individuals who pick at already-reaped fields for the odd potato, the leftover turnip. Through flashbacks and interviews, we see the events that led to her inevitable death. The Gleaners & I movie reviews & Metacritic score: An intimate, picaresque inquiry into French life, as lived by the country's poor and its provident, as well as by the film's own director, Agnès Varda. [8] Peter Rainer dubbed it "lyrically ramshackle". The Gleaners and I (2000) Tweet. View production, box office, & company info. Portraits of the people that occupy the small shops of the Rue Daguerre, Paris, where the filmmaker lived. The film is notable for its use of a hand-held camera and for its unusual camera angles and techniques. Rent The Gleaners and I (2000) starring Bodan Litnanski and Agnès Varda on DVD and Blu-ray. Documentary filmmaker Agnes Varda studies the modern day foragers of France who now glean (or, gather) everything from grapes to garbage to clocks without hands in "The Gleaners & I." Even Varda, herself, remarked at the film's success, "I've never in my entire career felt that people have loved a film of mine as much as this one.”[12], Ruby Rich believes that the appeal of The Gleaners and I "is due in considerable part to Agnès Varda’s own presence. Amazon.com, Inc, n.d. "[9], The Gleaners and I went on to earn awards around the world including top honors at the Chicago International Film Festival, Boston Society of Film Critics Awards, the European Film Awards, the French Syndicate of Cinema Critics, the Los Angeles Film Critics Association Awards, the National Society of Film Critics Awards (USA), the New York Film Critics Circle Awards, Online Film Critics Society Awards and the Prague One World Film Festival ("The Gleaners & I"). We glean memories when we write (James Joyce was probably the world's greatest literary gleaner). 2000. The Gleaners and I (French: Les glaneurs et la glaneuse) is a 2000 French documentary film by Agnès Varda that features various kinds of gleaning. Take a look ahead at some of our most anticipated superhero series arriving in 2021 and beyond. But gleaners are largely forbidden in the Burgundy wine region, where surplus grapes are deliberately thrown on the ground to keep foragers away. Genre. France. Agnès Varda. The aesthetic, political and finally moral point of departure for Varda are gleaners, those individuals who pick at already-reaped fields for the odd potato, the leftover turnip, and in An intimate, picaresque inquiry into French life, as lived by the country's poor and its provident, as well as by the film's own director, Agnès Varda. Find out where The Gleaners and I is streaming, if The Gleaners and I is on Netflix, and get news and updates, on Decider. These women incarnate the rural working-class. Documentary. [10] In Paris it attracted 43,000 movie-goers during “the first nine weeks of its summer release.”[11] Haden Guest, the director of the Harvard Film Archive, hailed The Gleaners and I as “one of Varda's most powerful and popular films” (47). Type. Type. Web. An intimate, picaresque inquiry into French life as lived by the country's poor and its provident, as well as by the film's own director, Agnes Varda. Alternative titles. 20 Nov 2010. The Gleaners and I takes a compassionate look at a rarely considered subculture whose individualism resonates powerfully with director Agnès Varda's humanistic approach. Charleen or How Long Has This Been Going On? Gleaners was distributed by Zeitgeist Films in New York, a company that has distributed films from such directors as Christopher Nolan and the Brothers Quay.[5]. The Gleaners and I do speak with an 'open voice', yet a perspective on social and political issues is still implicated through structure and style: sound effects, voice-over narration, editing, cinematography and mise-en-scène. The Gleaners and I (French: Les glaneurs et la glaneuse) is a 2000 French documentary film by Agnès Varda that features various kinds of gleaning. (2000). The Gleaners and I – Agnes Varda At the 21st century’s eve, Agnes Varda released a particular documentary called The Gleaners and I. 6 Nov 2010. Director: Agnes Varda. The aesthetic, political and moral point of departure for Varda are gleaners, those individuals who pick at already-reaped fields for the odd potato, the leftover turnip. ", Guest, Haden. Tweet. It was entered into competition at the 2000 Cannes Film Festival ("Official Selection 2000"), and later went on to win awards around the world. Film details. The Gleaners (Des glaneuses) is an oil painting by Jean-François Millet completed in 1857.. To glean is to see something beautiful or useful in something that is conventionally useless, pointless or ugly, and to make that thing even more beautiful or useful. Festival de Cannes. Come to think of it, film lovers and the best filmmakers are in fact, gleaners by that very definition. Zeitgeist Films. 82. Director Agnes Varda and photographer/muralist J.R. journey through rural France and form an unlikely friendship. This film blew me away in how it depicted how much waste our society makes, and the myriad of ways in which those who glean what we discard benefit society. The French title of this delightful, encouraging documentary underlines how Agnès Varda identifies with her subjects - social marginals who 'glean' a living, fr One the fringes of mainstream society, the gleaners range from those in poverty to those hoping to recreate the community activity of centuries past, and others who use whatever they find to cobble together a rough art. In a 2014 Sight & Sound poll, film critics voted The Gleaners and I the eighth best documentary film of all time. True to one of Millet's favourite subjects – peasant life – this painting is the culmination of ten years of research on the theme of the gleaners. It is a late-career personal essay by a filmmaker whose personal touch was incubated in one of the most personal of all national cinemas, the French New Wave of the late 1950’s and early 1960’s. Few filmmakers can claim a gaze as full of grace and generosity as Agnès Varda, whose solidarity with the gleaners is only the starting point for this film, which encompasses an entire moral vision of the world of work. Varda's other subjects include artists who incorporate recycled materials into their work, symbols she discovers during her filming (including a clock without hands and a heart-shaped potato), and the French laws regarding gleaning versus abandoned property. The result, The Gleaners and I, is a moving depiction of the people who — after the harvest — pick through the dirt to find potatoes and tomatoes left behind, scour the beach for oysters washed up after storms, pick grapes and figs that farmers reject, and go “dumpster diving” to recover discarded loaves of bread, sandwiches and other food. The Movie Show Episode 19 2002 Travelling along the French roads, director Agnes Varda meets many types of gleaner - men and women who gather and recycle what … By turns playful, philosophical, and subtly political, The Gleaners and I is a warmly human reflection on the contradictions of our consumerist world from an artist who, like her subjects, finds unexpected richness where few think to look. Genre. In 2000 Agnès Varda ('Faces Places', 'Vagabond') travelled the French countryside to study the world of foragers and scavengers called "gleaners". French Avant-garde filmmaker and documentarian, Agnes Varda trains her ever-seeking eye on "gleaners", those who pick at already harvested fields for the odd potato or turnip, who insist on finding a use for what... Read more . The Gleaners; French: Des glaneuses: Artist: Jean-François Millet: Year: 1857: Medium: Oil on canvas: Dimensions: 83.8 cm × 111.8 cm (33 in × 44 in) Location: Musée d'Orsay, Paris: It depicts three peasant women gleaning a field of stray stalks of wheat after the harvest. Approx. For Varda, the decision was in many ways a practical one. "The Gleaners and I." Cheap Apple iPhones. Want to share IMDb's rating on your own site? France, 2000. Critic’s Pick! Ebert, Roger. The Gleaners and I (2000) Tweet. ''The Gleaners and I'' is both a diary and a kind of extended essay on poverty, thrift and the curious place of scavenging in French history and culture. Careers. n. d. Web. The Gleaners and I . Non Fiction. Documentary. I said to my assistant, "Call everybody you know. Jake Wilson, on the other hand, conjectures that Varda (while perhaps not fully realizing it) tapped into the cultural zeitgeist and constructed a film that “embodies a quasi-anarchist ethos” that is built on a “resistance to consumerism, a suspicion of authority, and a desire to reconnect politics with everyday life.”, Varda's The Gleaners and I is notable in another regard, as well. Yet, for Varda, “the first-person, artisan film-making encouraged by digital video [was] nothing new.”[11] While she acknowledges video's convenience, she downplays any larger significance: "What's missing in all this talk of digital technologies is the understanding that ... they're not ends in themselves. In the Burgundy region she finds out that gleaning vintage grapes is illegal. The unwanted food and crops farmers and supermarkets throw away, declaring it waste when it is still fresh. The film spends time capturing the many aspects of gleaning and the many people who glean to survive. One farmer estimates that, of 4,500 tons of potatoes that he harvests, 250 tons are simply dumped back into the field to rot. Recsk 1950-1953: The Story Of A Secret Concentration Camp In Communist Hungary, Los Angeles Film Critics Association Award for Best Documentary Film, Hôtel Terminus: The Life and Times of Klaus Barbie, National Society of Film Critics Award for Best Non-Fiction Film, New York Film Critics Circle Award for Best Non-Fiction Film, https://en.wikipedia.org/w/index.php?title=The_Gleaners_and_I&oldid=1010407618, Creative Commons Attribution-ShareAlike License. The gleaners of yesteryear were peasant women who rummaged for the bits of wheat left over from the harvest. She says the entire process took place between September 1999 and April 2000. One can consume the stuff they glean, or they could recycle it into an art form, creating a whole new purpose for the object(s). As she notes in her interview with Melissa Anderson “I had the feeling that this is the camera that would bring me back to the early short films I made in 1957 and 1958. Documentary filmmaker Agnes Varda studies the modern day foragers of France who now glean (or, gather) everything from grapes to garbage to clocks without hands in "The Gleaners & I." Varda calls this shot "The Dance of the Lens Cap". ZeitgeistFilms.com. That many potatoes are considered too big or too small, too damaged or too misshapen to sell. but Agnès is in on the fun, showing her solidarity through joining them and shedding light on the art of gleaners. "The Gleaners and I." France. Agnès Varda’s extraordinary late-career renaissance began with this wonderfully idiosyncratic, self-reflexive documentary in which the French cinema icon explores the world of modern-day gleaners: those living on the margins who survive by foraging for what society throws away. Beginning with the famous Jean-François Millet painting of women gathering wheat left over from a harvest, she focuses her ever-seeking eye on gleaners: those who scour already-reaped fields for the odd potato or turnip. France 2000 | Colour | 78 mins | Documentary. An intimate, picaresque inquiry into French life as lived by the country's poor and its provident, as well as by the film's own director, Agnes Varda. Portuges, Catherine. It was entered into competition at the 2000 Cannes Film Festival ("Official Selection 2000"), and later went on to win awards around the world. Find helpful customer reviews and review ratings for The Gleaners And I at Amazon.com. Film. Embracing the intimacy and freedom of digital filmmaking, Varda posits herself as a kind of gleaner of images and ideas, one whose generous, expansive vision makes room for ruminations on everything from aging to the birth of cinema to the beauty of heart-shaped potatoes. Synopsis. Get unlimited DVD Movies & TV Shows delivered to your door with no … This is an uneven little documentary that benefits, greatly, from its untapped subject matter. Many gleaners express amazement and disgust at the perfectly good food that farmers and supermarkets discard. Get a sneak peek of the new version of this page. A film that presents the culture of gleaning in France. ", Darke, Chris. Gleaners: those idiosyncratic rural citizens who pick at already-reaped fields for the odd potato, the leftover turnip. Most of the abandoned objects and shots she found, including the “dancing lens cap” and the heart-shaped potato, were “[strokes] of luck—and we immediately filmed it.”[5], Varda produced The Gleaners and I under Cine-Tamaris, the company she founded in 1954 and that has produced most of her previous films. ... See full summary ». Discover something for everyone this month with some choice picks for the best movies and TV to stream in April. Potential Films . She talks with and films urban gleaners, including an artist who creates his pieces from found objects and an odd fellow in giant rubber boots who has lived exclusively on trash for the past 10 years (and has never been ill!). Was this review helpful to you? For those who don’t know, gleaning consists of non-farmers collecting the year’s crops remains. In a film about gleaning, Varda recognizes that she is a gleaner. Festival de Cannes, n.d. Web. Supplier . Since 1554, when King Henry IV affirmed the right of gleaning, it has been a practice protected by the French constitution, and today the men and women who sift through the dumpsters and markets of Paris are the descendants of gleaners who were painted by Millet and Van Gogh. The film tracks a series of gleaners as they hunt for food, knicknacks, thrown away items, and personal connection. The Gleaners and I – Agnes Varda At the 21st century’s eve, Agnes Varda released a particular documentary called The Gleaners and I. Documentary. The aesthetic, political and moral point of departure for Varda are gleaners, those individuals who pick at already-reaped fields for the odd potato, the leftover turnip. By turns playful, philosophical, and subtly political, THE GLEANERS AND I is a warmly human reflection on the contradictions of our consumerist world from an artist who, like her subjects, finds unexpected richness where few think to look. Senses of Cinema 23 (2002): n. pag. In one scene, she "catches" trucks on the freeway, forming a circle with her hand in front of the camera framing the truck in the center, then closing her hand as she drives past them. For those who don’t know, gleaning consists of non-farmers collecting the year’s crops remains. In 2000 Agnès Varda ('Faces Places', 'Vagabond') travelled the French countryside to study the world of foragers and scavengers called "gleaners". Agnes Varda returns to the people she met in her 2000 documentary on gleaning and meets some new people who were inspired by her first film. THE GLEANERS AND I Les glaneurs et la glaneuse. The Gleaners and I – Agnes Varda At the 21st century’s eve, Agnes Varda released a particular documentary called The Gleaners and I. Varda’s rumination on this art of “living off the leftovers of others” finds inspiration in both past and present, rural and urban, the political and the highly personal. This FAQ is empty. she finds a wholesome kinship with them, and through this … The Gleaners and I, it is called, and the title emphasizes the autobiographical element in this small, compassionate film. The Ploughman / March 5, 2021. Anderson, M., and A. Varda. Take a look at what 100 movies made the … "The Gleaners and I." The Movie Show reviews The Gleaners and I. Agnès Varda’s charming follow-up to her acclaimed documentary The Gleaners and I is a deceptively unassuming grace note that takes us deeper into the world of those who find purpose and beauty in the refuse of society. The aesthetic, political and moral point of departure for Varda are gleaners, those individuals who pick at already-reaped fields for the odd potato, the leftover turnip. rogerebert.com. Agnès Varda explores her memories, mostly chronologically, with photographs, film clips, interviews, reenactments, and droll, playful contemporary scenes of her narrating her story. Jacquot Demy is a little boy at the end of the thirties. I felt free at that time. Directed by Agnès Varda • 2002 • France Starring Agnès Varda Agnès Varda’s charming follow-up to her acclaimed documentary THE GLEANERS AND I is a deceptively unassuming grace note that takes us deeper into the world of those who find purpose and beauty in the refuse of society. Synopsis. Describing herself as a gleaner of ideas and images from interior as well as exterior journeys gives the director a special connection with her … Agnes Varda has proved that she is one of the greatest gleaners of all time. The Gleaners and I was first screened out of competition at the 2000 Cannes Film Festival ("Official Selection 2000"). In a number of scenes Varda shows and discusses the camera itself and in so doing transforms a film about waste into a reflexive meditation on the art of digital documentary. “The Gleaners and I shows Varda in full flower, ever reaping what she has sown.” – Marjorie Baumgarten, Austin Chronicle. We glean possibilities every time we use our imaginations. And psychiatrists pay attention to what others don't notice by gleaning beneath the stubborn surface of our egos. In an apple-growing region, Varda learns that gleaners must be registered in order to follow an orchard’s pickers, who leave 10 tons unpicked, according to an owner she talks to. 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